The first feature film of fiction Denes Nagy, very experienced in the field of documentaries, returns to one of the unrecognised aspects of the second world war: the presence of Hungarian troops, in Russia, between 1941 and 1944, which, in the context of the alliance with Germany, were charged to track down the soviet partisans. In a style that is dark and economy of means, which is reminiscent of the cinema of his fellow Hungarian László Nemes, or even that of Béla Tarr, Nagy tells the story of an episode both banal and the horrific, in a form and austere, without giving much information, and with the dialogue reduced to the essential.
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In desolate landscapes, with a civilian population starved and enslaved, while the enemy is invisible, the film focuses its attention, and our own, on the face impassively a corporal Hungarian-old, the more helpless spectator than an actor, whose fixity of traits reflects the sadness unfathomable to the horror and absurdity of war and the extermination of all mankind in the behaviour of decision-makers. The rhythm of throbbing and demanding of the film is hardly the type to arouse enthusiasm, even if not to show disapproval of the violence is in itself a commendable attitude, and it takes its last few minutes, and perhaps even more after the projection to the digest and absorb its power back.