This is a series that starts badly: In a building, dust languishing the worst cards of the British intelligence, headed by a boss dirty, alchol, vulgar, and wanker, such as not two. It must be said that this “farm” is the dump of secret agents who have fallen. The image is grey and the pace is lagging behind a day of drinking.
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The last one arrived, although shown to be valiant in his attempt (failed) to apprehend a terrorist at the beginning of the series asks what he’s doing there. He wants this team to break arms to avoid the action, investigation, in short, everything that makes the charm of James Bond. He continues his research to try to still exist. In fact, it is not yet known where he has set foot…
Ginny & Georgia 2021 Review
The action will emerge to the point that at the end of the 4th episode, we are transported with frenzy (the word is not an exaggeration) in a survey ladle on the reports of unrest between the noble MI5 and the Officine grimy who attempts to dépétrer of the trap that has been set.
The storyline is brilliant, the cinematography respects the classics of the genre “police British”, and the dark atmosphere is enriched by a sense of humour fierce as the English are so well written it.
The actors are particularly well dug in (except, perhaps, the game of Kristin Scott Thomas, who is in my opinion a bit below what it can do, and, there, she is not pretty nasty…).
Over the episodes, these claims have been your revealed their gifts, their fineness of view and begin to shine in the murky decor. The pace of change is accelerating, and each event is hacked by an unexpected complication in the plot. Where we see the best of disappearing in the middle of the season, as for us cause, we étriquant in a sparse distribution.
The poor kidnapped is confronted by his captors, the factors British, who put a hand on it first, which goes down everything that moves, even his boss, wondering more and more what they are doing in this mess…
Subsequently, we see that the rivalry between MI5 and the band nulls turns to “I hold you you hold me by the goatee.
The first of the two of us who cafe will take a Bastos” (pardon the rhyme of mirliton). Throughout the season, cynicism is the tool most used by the protagonists-in-chief to get out of situations unhealthy. The others follow, without ever truly understanding what they do. And when we, as viewers, understand, we are jubilant.
A series that I want to compare to the ancient “Line of duty” for the formal quality, but soupoudrée humour English.
The next year, there will be a season 2 of this series, I’m already. Definitely Apple TV this year!